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ALCIBIADES I Page: 7
Parmenides, and the Sophist, and Politicus, that no considerable objection
can be urged against them, though greatly overbalanced by the weight
(chiefly) of internal evidence in their favour. Nor, on the other hand,
can we exclude a bare possibility that some dialogues which are usually
rejected, such as the Greater Hippias and the Cleitophon, may be genuine.
The nature and object of these semi-Platonic writings require more careful
study and more comparison of them with one another, and with forged
writings in general, than they have yet received, before we can finally
decide on their character. We do not consider them all as genuine until
they can be proved to be spurious, as is often maintained and still more
often implied in this and similar discussions; but should say of some of
them, that their genuineness is neither proven nor disproven until further
evidence about them can be adduced. And we are as confident that the
Epistles are spurious, as that the Republic, the Timaeus, and the Laws are
genuine.
On the whole, not a twentieth part of the writings which pass under the
name of Plato, if we exclude the works rejected by the ancients themselves
and two or three other plausible inventions, can be fairly doubted by those
who are willing to allow that a considerable change and growth may have
taken place in his philosophy (see above). That twentieth debatable
portion scarcely in any degree affects our judgment of Plato, either as a
thinker or a writer, and though suggesting some interesting questions to
the scholar and critic, is of little importance to the general reader.
ALCIBIADES I
by
Plato (see Appendix I above)
Translated by Benjamin Jowett
INTRODUCTION.
The First Alcibiades is a conversation between Socrates and Alcibiades.
Socrates is represented in the character which he attributes to himself in
the Apology of a know-nothing who detects the conceit of knowledge in
others. The two have met already in the Protagoras and in the Symposium;
in the latter dialogue, as in this, the relation between them is that of a
lover and his beloved. But the narrative of their loves is told
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