This service is brought to you today by:
vinyl caps / party beads / masking tape / blast hole plugs / q siren / plastic injection molding / stainless steel hoses / steering stabilizer / Ford Truck Fan / Public Safety Equipment




THE FLOWER OF THE MIND
Page: 11

"Dear as remembered kisses after death,"

one man likes the familiar sound of the word "remembered" as we all
speak it now; another takes pleasure in the four light syllables
filling the line so full. Tennyson uses the apostrophe as a rule,
but neither he nor any other author is quite consistent.


ROSALYND'S MADRIGAL


It may please the reader to think that this frolic, rich, and
delicate singer was Shakespeare's very Rosalind. From Dr. Thomas
Lodge's novel, Euphues' Golden Legacy, was taken much of the story,
with some of the characters, and some few of the passages, of As
You Like It.


ROSALINE


This splendid poem (from the same romance), written on the poet's
voyage to the Islands of Terceras and the Canaries, has the fire
and freshness of the south and the sea; all its colours are clear.
The reader's ear will at once teach him to read the sigh "heigh ho"
so as to give the first syllable the time of two (long and short).


FAREWELL TO ARMS


George Peele's four fine stanzas (which must be mentioned as
dedicated to Queen Elizabeth, but are better without that
dedication) exist in another form, in the first person, and with
some archaisms smoothed. But the third person seems to be far more
touching, the old man himself having done with verse.


THE PASSIONATE SHEPHERD


The sixth stanza is perhaps by Izaak Walton.


TAKE, O TAKE THOSE LIPS AWAY


The author of this exquisite song is by no means certain. The
second stanza is not with the first in Shakespeare, but it is in
Beaumont and Fletcher.


KIND ARE HER ANSWERS


These verses are a more subtle experiment in metre by the musician
and poet, Campion, than even the following, Laura, which he himself
sweetly commended as "voluble, and fit to express any amorous
conceit." In Kind are her Answers the long syllables and the
trochaic movement of the short lines meet the contrary movement of
the rest, with an exquisite effect of flux and reflux. The
"dancers" whose time they sang must have danced (with Perdita) like
"a wave of the sea."


DIRGE


I have followed the usual practice in omitting the last and less
Go To Page:
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31





Home